ALEK O.

ARTIST STATEMENT

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In her practice Alek O. blends the common notion of the readymade with craft, embroidery and other traditional art-making forms. On the verge between transformation and conservation, Alek O. strips the objects’ common visual aspects and replaces them with geometric abstraction.

Reversing the perspective of design, Alek O. favours re-creation over creation and deconstruction over construction. The objects, chosen for their emotional quality, are salvaged from their original, usually domestic use: wood from a bookshelf, metal from a discarded key, wool from a sweater or a pair of gloves. Thus, the works function as metonymy for the artist, or the people who had a connection with the material. The imprint on her sculpted material of those who owned it or used it represents an important aspect of Alek O.’s work as “it encapsulates a series of questions/suggestions where memory, affection, nostalgia and the carefully considered loss of interpretive information converge to create an open poetic gesture”. 

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“Fundamentally, all of Alek O.’s art is an invitation to open up to observing reality and allow ourselves to be convinced that everything, be it an image, object or thought, can be renamed without losing meaning, but acquiring others”. [Luca Lo Pinto, 2013]

BIO​

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Alek O. (Buenos Aires, 1981)

Alek O. lives and works in Milan, where she graduated in Design at Politecnico. Among her most recent solo exhibitions: “Il giorno della fine non ti servirà l’inglese”, Martina Simeti Gallery (2023); “Parolacce”, Fondazione Zimei, Pescara (2022); “L’impero delle luci”, Frutta, Rome (2017); “Time Goes By So Slowly”, Jeanine Hofland, Amsterdam (2016).

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The artist’s work has been largely exhibited at an institutional level, particularly at the National Gallery of Modern and Contemporary Art, Rome; The Courtauld Institute of Art, Somerset House, London; Casa Testori, Novate Milanese; Nomas Foundation, Rome; Kunst Meran, Meran; Fondazione Zegna, Trivero; 16th Art Quadriennial, Rome, Palazzo delle Esposizioni; Art Situacions I-II, Villa Croce, Genova, MACRO, Rome; Triennale Milano, Milan; Studio Castiglioni, Milan; Fondazione Sandretto Re Rebaudengo, Guarene; Prague Biennale 5, Prague; V Bienal de Jafre, Spain; Castello di Rivoli, Turin; Centro per l’Arte Contemporanea Luigi Pecci, Prato; Fondation Cartier pour l’Art Contemporain, Paris.

Ehi Siri, Lumos

2024

Assembled ceiling lights

h 20 x w 35 x d 20 cm

(AT313)

Courtesy of the Artist and Martina Simeti, Milan

Ehi Siri, Lumos

2024

Assembled ceiling lights

h 16 x w16 x d 13 cm

(AT312)

Courtesy of the Artist and Martina Simeti, Milan

Ehi Siri, Lumos

2023

Assembled ceiling lights

(AS301)

Courtesy of the Artist and Martina Simeti, Milan

Ehi Siri, Lumos

2023

Assembled ceiling lights

h 13 × w 27 × d 22 cm

(AS290)

Courtesy of the Artist and Martina Simeti, Milan

By assembling used ceiling lights, I created a group of light sculptures. In 'Hey Siri, Lumos' the bulbs used are of different temperatures, with both cold and warm light.

This pairing, which if done at home usually amounts to distraction, is here a precise choice with a view to a chromatic result.

Harry Potter turns on the light of his wand by saying 'Lumos.' Similarly, we can turn on our iPhone flashlight by reading aloud the title of these works.